For the hole inside you, never filled: a stolen bag of cherries. Spit the pits into your hands and go to sleep with stained palms against your hard, round stomach, pretending you can feel kicking feet.
What I can’t quite say to my husband, or to myself: that it is you I am thinking of as I take the armadillo from the shelf.
There’s nothing quite so sinister as a hot wind on a California night.
I need to speak now; he’s expecting it. Waiting for an answer. Summoning all my energy, I push the air from my lungs, forcing it over the golf ball wedged in my throat.
My lawyer asks if I’m ready to listen to all five of our 911 tapes.
My birth certificate is an inventory of negative space. FATHER'S NAME. FATHER'S PLACE OF BIRTH. FATHER'S AGE. All of these data fields are empty, clean of the typewriter keystrokes that might otherwise list all the facts my mother knew.
It’s been a while since I rooted for a straight romance, but I can’t help gunning for this little blenny. He’s turned himself completely black except for his one bright orange fin and now is doing a hell of a seductive dance for the ladyfish.
In the Calle 13 song “Latinoamérica,” Residente says that whoever doesn’t love their country doesn’t love their mother. How does one write about their mother?
The only book about a black or brown person and the main character is a black girl whose black friend got shot. I’m not paying $20 for this book centered around a dead black person. I’m spending $32.99 to buy some boxing gloves from Amazon so I can get ready to show these girls what’s good; so I can look my teacher into her bespeckled face with its green eyes and, right before I tell her to put her dukes up to defend herself before I actually start swinging. tell her that I cannot believe that she has the audacity to decide the one book about a person of color will be about death.
Soaking wet in cotton underwear and an oversized soccer jersey, I am an animal—a 12-year-old in human years—sitting on a flooding wrap-around balcony in eastern Canada. This is where spruce and pine needles stick to the bottoms of your feet. This is where jewelweed grows in creeks.
Later, I dream of running across the street, a transparent green grid over my slow-motion running. Like a target. The car doesn’t make a sound, but the noise of my head hitting the car is still somewhere just across the threshold of awareness. The ears are the last to submerge.
For years after my travels, I’d track stories of women traveling alone, of women murdered, of women who’d made similar choices to the ones I’d made on the road. I followed the story of a young woman who’d been around my age when she’d gone backpacking and then missing in Nepal.
This run-down, rusted-out trailer park was the first place in years that wasn't someone else’s farm with frozen pipes in the winter, far from everyone including school friends. There were other kids here.
Am I the missing girl, my perfect niece? Am I her devastated mother, staggering towards us? Am I her devastated grandmother, crying into her fist? Her devastated grandfather, immobile at the table? Am I the silent Uber driver? Am I the men, grinning with their axes?
Riding in a gray Honda up a dark road, I felt someone looking at me. It was the light of the moon. Bright and full in all her splendor—in awe at feeling her warmth—I heard her speak.
I remember thinking her head looked like the moon: covered in bumps and divots. I wanted to explore the topography of her scalp, but instead I clenched my hands into fists at my sides until my fingernails left half-crescent indents on my palms.
Roots By Nora Seilheimer wo Saturdays after Joe and I get married and buy a house in the Upper…