More than anything else, it is this natural ear for sounds that makes Kelsey’s fiction stand out; her characters and their movements are given form by it.
The kind of ending that Purkert is in love with, is that most important part of a successful poem: the audible click of a final line.
Melanie Figg’s new full-length poetry collection Trace gives voice to family, feminism, and individual history through the lens of art.
Jennifer Fliss and Jennifer Todhunter discuss grief, parenting, resilience, and catharsis.
Cathy Ulrich and Chaya Bhuvaneswar discuss finding a story's pulse, finding time to write, and engaging in community.
Michele Finn Johnson and Tommy Dean discuss saving characters, hearing voices, and giving back to the literary community.
Tara Isabel Zambrano and Christopher Allen discuss expanding The Moment in flash fiction, stirring the bubbling pot of character, and knowing when a draft is done.
The map of human life isn’t a line, and I wanted to show that here. Life can look like a phone call coming from your chest, a door in the middle of the woods, a moon that, for a time, sings, and then is never heard again.